BOOP!
October 3-10, 2026
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Available for all performances. No code needed. *Restrictions apply.
Time(s)
- Saturday 10/3 @ 7:30pm (Sign Interpreted)
- Sunday 10/4 @ 1:00pm (Open Captioning & Audio Description) & 6:30pm
- Tuesday 10/6 @ 7:30pm
- Wednesday 10/7 @ 7:30pm
- Thursday 10/8 @ 7:30pm (Sign Interpreted)
- Friday 10/9 @ 7:30pm
- Saturday 10/10 @ 2:00pm
Age Recommendation: 5+
Doors: Approximately 1 hour prior to show time
Run time: 2 hours & 30 minutes including one intermission
About
Part of the 2026-2027 M&T Bank Broadway Season presented by RBTL & Albert Nocciolino.
“WHAT’S NOT TO LOVE ABOUT BETTY BOOP?” (Chicago Tribune)
For almost a century, the Betty Boop® character has won hearts and inspired fans around the world with her trademark looks, voice, and style. Now, in BOOP!® The Musical, Betty’s dream of an ordinary day off from super-celebrity in her black-and-white world leads to a “bright and bubbly” (Time Out New York) adventure of color, music, and love in New York City. “A show-stopping rainbow of joy” (The Daily Beast), BOOP! is the new Broadway musical-comedy extravaganza that’s fun for everyone – bringing heart, laughter, and a whole lot of Boop-oop-a-doop to the stage!
With original Broadway direction and choreography by Tony Award®–winner Jerry Mitchell (Kinky Boots, Hairspray, La Cage aux Folles), BOOP!® The Musical brings Fleischer Studios’ Queen of the Screen to life with a score and arrangements by celebrated multiple GRAMMY® winner David Foster (“I Have Nothing,” “After the Love Is Gone,” “The Prayer”), lyrics by Tony Award® nominee Susan Birkenhead (Working, Jelly’s Last Jam), and a book by Tony Award® winner Bob Martin (The Drowsy Chaperone, The Prom).
BOOP! is the Broadway musical that is perfect for audiences of all ages.
JERRY MITCHELL
DIRECTOR & CHOREOGRAPHER
LEARN MORE ABOUT BETTY BOOP
FROM FLEISCHER STUDIOS

The character that would eventually become Betty Boop made her first cartoon appearance on August 9, 1930 playing a bit role in the Fleischer Studios’ cartoon Dizzy Dishes.
Initially, she’d been created as a love interest for Bimbo, the “star” of the film, and like Bimbo, she was an animal in a world where animals had some remarkably humanistic traits. Like Bimbo, she was dog-like; a singing, dancing hybrid being with huge, droopy Cocker Spaniel-like eyes, a button of a nose and long puppy dog ears that tossed back and forth as she sang and danced.
She sang in that first appearance but had no lines. She didn’t even have a name, but that didn’t stop this sassy songstress from stealing the show. Audiences clamored for more and the Fleischers delivered. Her appearance shifted quite a bit in these early cartoons, which was fairly standard practice at the time. As her character grew and her personality developed, her look also became more refined…
TM & © 2026 Fleischer Studios, Inc.